Chicago Entertainer Wants YOU To Have His Secrets Before It Is Too Late ...
If you’re not interested in knowing exactly how to cash in on the amazingly lucrative ENTERTAINMENT industry, then this is not for you.
However, if you want to have your name in lights and make a good living, continue on. OR, maybe you only want to find a FUN part time gig that puts a few extra bucks in your pocket when you WANT to work... this is for you.
YOU CAN EASILY ENTER THE HIGHEST PAID INDUSTRY IN THE
WORLD....
Where
Millions of Dollars are Paid Daily to People Like YOU!
What
is it? What business routinely pays people millions of
dollars?
It is the ENTERTAINMENT business where actors, sports
figures, singers and others get rich doing what they love
to do.
Here
I am with the late Shari Lewis
NOW you can get your share of the multi-Billion dollar
industry.
READ THIS: You don’t even need a single bit of experience.
You don’t have to sing, dance, act, play an instrument, or
play a sport.
In fact, you can be an uncoordinated, tone-deaf, two-left
feet nerd and still make a ton of money doing something you
love.
HOW?
By learning how to entertain
others.
How
do I know YOU can do this?
Because I did it. And I can teach you how to do it too.
When I started, I didn't know a thing about entertaining
family audiences.
30 years later and over 3,000 shows have catapulted me into
the top echelon of entertainers that actually get booked
and Make Money.
It’s not about talent or ability (I’ll show you how to get
that)
It’s not about agents and managers or who you know. It’s
not about performance, technique or
methods.
IT IS ALL ABOUT MARKETING!!
And
YOU can learn how to do it.
Even if you want to hire the actual entertainers, and
collect a piece of the action, this is the easiest
home-based business you can think of.
AND if you WANT to Entertain?
Great, I’ll show you how to get booked, get paid and get
endorsements. It isn’t rocket science, but it is FUN and
profitable.
At a school show
Imagine being one of the most sought after Entertainers in
your area... Can you see yourself on the front page of your
local paper? You should try to see this, cause that what
happens when you learn how to MARKET YOUR ENTERTAINMENT.
YOU can cash in today on America’s unquenchable thirst to
be entertained.
YOU can pick up an easy and fast $200.00 for an hour of
your time.
YOU can be one of the new breed of “American Idol.”
YOU DON'T have to be a finalist on "America's Got Talent"
to make money.
Can YOU can be on the stage performing in your own
hometown?
I don’t know. I don’t know your drive. I don’t know your
work habits.
I DO know that I can help YOU get the gigs you want.
Whether you just want a part-time FUN little business that
makes you several thousand EXTRA dollars a year, or you
want to become a SIX Figure full-time Entertainer, you make
it happen, if you know my secrets.
The bottom line....
"How To Rake-In Cold, Hard, Cash Performing In Front of
Audiences - No Matter What Your
Specialty."
No matter what kind of entertainer you’d like to be,
here's...
"HOW TO GET STARTED DOING ALL THE
GIGS AND SHOWS YOU EVER WANTED IN YOUR
OWN HOMETOWN SHOW BUSINESS CAREER!"
...
I'm going to show you a proven, simple, step-by-step system
for starting your show business career on the right foot
with methods that have worked in the entertainment industry
for over 30 years!
And I mean all the shows that will keep you as busy as you
want to be and make more profits than you ever thought
possible!
Jugglers, story – tellers,, dancers, clowns, public
speakers, singers, comedians, models, actors, magicians,
independent film makers, and almost any other performer you
can think of have all used these techniques to generate
shows and gigs like mad.
Plenty of opportunities to perform and make
cash!
This system has been used to generate shows and gigs
starting from scratch in several new markets. If you have
ever wanted to make a living in show business or just
wanted to kick start your performing career, this E Course
is for you.
HERE'S WHAT IT'S ALL ABOUT...
Since you were a child, the glow of the spotlight, the roar
of the crowd always excited you, moved you, captivated
you...
You dreamed, you hoped, you wished to be a star, a
celebrity, a person who could bring audiences to the height
of joy, or to periods of quiet reflection.
You studied, dreamed, worked to make your vision a reality.
But like most people wanting to break into show business,
you found little help in making your dreams come true.
Your fortunes are about to change.
You're about to discover a proven, sure-fire way to get
your performing career started right away.
That's what this message is about ... showing you where to
turn to find simple, yet detailed information GUARANTEED to
get you started performing. That's where I come in. My name
is Millard Grubb.
You
may have never heard of me, but I’ve been performing for
over 30 years and if you’ll listen closely, I’ll show you
how to get your performing career started off right, and
make money doing it.
Performing is more than showing off your talents, you must
learn how to "entertain an audience." That fact took me a
long time to learn. But in my hard-hitting ecourse, you’ll
learn the lessons quickly that took me years to master.
You’ll learn how to get clients to have you back again and
again. That’s one of the secrets to making it as a
performer.
My secret for you…everything I have learned explained in an
easy to learn e-course.
The Hometown Showbiz E Course
The Hometown Showbiz E Course is by far, the best thing on
the subject of boosting a performing career no matter where
you’re at..
The bottom line is this: If you want your experience and
talent to stop being overlooked and start making you money,
you MUST GET this course!
Why am I selling my hard-earned experience?
Simple. I’m tired of all the misinformation that’s being
bandied about that supposedly helps performers get started.
I’ve been there.
I've been told to create a brochure and just watch the
bookings come in ... It didn't happen.
I’ve been there when an agent booked me at a hotel with the
stipulation that I MUST take another two weeks, two months
down the road AND that SAME agent told the hotel that I
would only work if I got the two weeks additional as well.
Talk about playing two ends against the middle! Don’t get
me started on agents!
I don’t want what happened to me to happen to anybody.
Ever!
I had to start booking myself after that
experience.
Listen, even the not so pretty details of my career are
being revealed.
Look,
knowing how to put together an act that brings down the
house is one thing, but putting it all together to get the
best bookings like crazy is one of your MOST POWERFUL
ASSETS. It's an asset that you can leverage and use to make
yourself serious money every single time you apply the
system.
The Hometown Showbiz E Course will show you how to master
the "art and science" of not only making your act an
entertaining powerhouse, but show you where to find the
most gigs.
You
will learn how I sent a little postcard and got a gig
with Shari Lewis and Lamb Chop.
You’ll
learn how a simple twist on an old idea brought 27
gigs.
You’ll
learn how to make sure your act is noticed by the
movers and shakers so you get gigs fast.
You’ll
learn how to get gigs with people like Ray Stevens and
Zig Ziglar at the same time.
You’ll
learn an easy way to get promo photos for
peanuts.
You want to go on the road?
You’ll
learn insider secrets to make roadtrips pay off; also
what to avoid so you don’t get burned out.
Wanna know what the real behind-the-curtain secrets are of
a night club performer?
Pssst, don’t tell anyone. I share some of my most intimate
moments on and off the stage.
An Important Secret!
This
ecourse is not for everyone.
If
you cannot take straight-to-the-point language about
building a career without whining, you don’t need to get
this course. I pull no punches with my opinions.
Every week, like clockwork, you’ll receive an email telling
where to download that week’s lesson. For a full six
months.
Now listen. I was a magician, mentalist, and family
entertainer for over thirty years, so my experience is in
these fields. But these methods work whether you are a
clown, juggler, singer, comedian, or tap dancer.
YOU WILL LEARN THE SAME ACTS I DEVELOPED
FOR SEVERAL MARKETS.
However,
if you are any kind of entertainer, these methods will help
your show. And the price is so compelling, how can you say
no?
Can my methods work for you?
Maybe. Maybe not.
I don’t know if you really want to be an entertainer or
you’re just looking around.
If you’re serious about creating a new career or just want
to make your existing show business programs better, more
fun to do, and make more for each gig, you owe it to
yourself to get this ecourse.
This ecourse is my life’s work .... You are paying for my
experience.... over 30 years of it.
Mistakes I Made
Like
most performers, I started out doing birthday parties,
family reunions, weddings, and all sorts of local
functions. I was satisfied to get a few bucks while I was
going to school, but as I got older and started working a
"regular" job, I wanted more.
I didn't know anything more than to work on my act and pass
out business cards. I hoped I would get a few gigs in the
evenings and on week-ends to buy new equipment, clothes,
and props, among other things.
But, underneath it all, I wanted to make a living as a
performer. I wanted to show my folks and all those who
laughed at me that I could do it...that I wasn't just a
dreamer...wasn't just talking out of my hat.
But, try as I might, I kept making mistakes.
I kept buying books, watching videos,(This was before DVDs)
going to lectures, calling professionals, going to
conventions. It seemed as if there was some sort of
"secret" that the professionals weren't exactly telling me.
No one told me when I was working nightclubs, to promote
myself during the day, and to get to bed early after my
last show.
Did I waste time? A lot of it.
No one told me to keep control of my act, and it
cost me a dunking in a public
fountain!
The $10,000 Blunder
As I was working at my job as a behavioral specialist in a
Chicago area United Way facility, I figured I had a deal
that wouldn't fail. I met an author who sold a ton of books
and was a self-proclaimed marketing expert. After meeting
with him a few times, he convinced me to pay him to design
a brochure. He supposedly had a great deal on printing and
a fulfillment house for mailing to agents (Don't get me
started on agents!).
This brochure was a work of art!
It was four-color with a spinner on the inside that looked
like a hand. My photo was on the back along with phone
number, etc. The brochure was geared to look like a Trivial
Pursuit game and opened like a box.
I could see myself sitting by the phone as the calls
started to come in. Agents would be so excited by the
brochure, they would call in droves. (Have you been there?)
I mailed the brochures to 500 agents and meeting planners.
And waited.
And waited. And waited.
I didn't get a single call!
I panicked...
I wept...
I wanted to kill myself.
After I calmed down, I had a friend call 50 agents at
random from the list I sent .... and I learned a powerful
lesson.
The brochure looked good. It was top quality.
Yet, it failed to ask any of the agents to call me for a
program!
I had presented myself in a colorful way, but failed to
sell myself.
In an expensive lesson, I learned that marketing is the
key.
Ya gotta have an act, yes, but you have to sell to someone
who needs you and understands how you can help them. Your
act is your product and you have to learn to sell the act
as well as be a good entertainer.
And don't think that you have to be a fantastic performer
either.
I know performers that are
passable
entertainers, yet, make thousands of dollars a year because
they have learned the secrets of selling themselves. More
later.
My Disaster with Shari Lewis
I
spied an ad in a trade magazine offering a "Giant-Sized"
rabbit suit that would be "perfect" for grand openings,
Easter Celebrations, and children's programs. I thought
that this had real possibilities, so I went to my bank,
borrowed $1,500 for the costume and got ready to mail some
postcards.
This time I got about 4 calls and booked a country club
show and a show with the late Shari Lewis and Lamb Chop at
Chicago's prestigious Medinah Temple! All I had to do was
introduce Shari to the packed house of kids, parents, and
reporters while doing a simple magic trick.
Good grief! I got into costume and when they introduced me,
the spotlight was so bright, I couldn't see a thing! My
arms were waving about like a hummingbird while I tried to
find the microphone. Someone finally handed me the mic and
I was able to talk to the kids. But it was so bright I
could not find my prop for the simple magic trick!
I was so glad I was in costume and no one knew who I was !
I had already been paid for the gig, so I got out of there
as fast as I could....being ashamed to no end.
After this disaster, I decided that I would only do what I
knew I could do and be myself, rather than just looking for
the big bucks.
You'd think I'd learned my lesson by this time, but I kept
getting up and trying again and again. My friends and
family thought I was nuts. They thought I enjoyed being
humiliated.
It wasn't that I was a glutton for punishment.
There was a fire inside of me.
A volcano of desire. The desire to succeed at what I loved
to do.
I wanted to make people laugh. I wanted to make people
applaud. I wanted to make people weep. And make money doing
it.
Let me tell you about one more mistake I made and then
you'll understand why I wanted to do all the booking
myself.
Why Agents Scare Me
I
was starting to do more shows and my name was getting out.
So when an agent called me with a three week gig in my home
state, I was excited. The only thing I had to do was agree
to do a two week stint at the same hotel 3 months after the
first one. I was working a full-time job at the time, so I
figured I would use vacation time, sick leave, etc. for the
first gig and then figure something out for the second one.
I did the first stint with good crowds and great reactions.
About a month before the second gig was to start, I
informed my boss that I needed two weeks off without pay
for personal business.
I couldn't get the time off. So, I quit.
When I got to the hotel for the second gig, I found out
that the agent who had booked me had told the hotel that
the only way I would perform is that I had to be guaranteed
two weeks in February, besides the first gig. The agent
THEN told me that I could only take the first three weeks,
if I ALSO booked the two weeks in February. So, the agent
played both the hotel and myself against each other to make
a little extra commission.
And it cost me an extra year to get my performing career
going because of this blunder.
At that point, I decided that I would book all my own
shows. Take care of all the legwork and control my destiny.
I had already proven that I could get booked for good money
at some of the best hotels and clubs. Now, I just needed to
book more programs, more often.
Like a man possessed, I snapped up every marketing book I
could find. I went to every marketing seminar I could
afford. I talked to everyone I could who was successful
selling anything to anyone.
My career started to take off....and it hasn't stopped
since. In the last 30 years, I have done over 3,000
shows...all self-booked. Once I developed a system for
getting shows, it was just a numbers game. If I wanted to
do 30 shows one month, I knew exactly what I had to do to
make the numbers work for me. If I wanted to take it easy,
then I just stopped using my system.
And through it all I realized that the reason I was
succeeding was because I had a passion for my work. I truly
loved performing and wanted to get better and better. Plus,
I wasn't working at my career for the money, but instead I
was working for the LIFESTYLE that having money gave me.
Funny to think about money that way, but it's not the
money, it's what money allows you to do.
Listen, when you have money, you don't need a job, you
don't have to work for anyone else. And not having to show
up for work every day frees up a lot of your time. That's
time you choose doing what you like.
Time
spent with your family. Or your hobbies. Or on an
adventure. Whatever you want.
But it wasn't all about marketing.
As I changed and my markets changed, I HAD to develop
different shows for different venues.
A show for family audiences. A squeaky-clean show for
corporate audiences. A school show. A Christmas show. An
after-dinner show. A close-up show. A mentalism show.
I was doing mainly adult shows and close-up magic when I
met a famous mindreader at a convention in Chicago. When
talk got around to kidshows and family audiences, he pulled
out a card and showed it to me. My mouth hit the floor!
The card described this world-known mentalist as a kidshow
performer. He said,"Millard, you are missing out on a lot
of money if you don't perform at kidshows and family
functions."
This performer helped me make a few phone calls and I
booked 18 shows ... even though I didn't have a kidshow!
Three professionals helped me put a show together and I
started down yet another path in show business.
Yet, more important than that is.....
The Real Secret
Listen,
I have a confession to make. It wasn't all me.
I had a lot of help from friends in the business industry
that helped me learn how to sell myself. I went to seminars
by famed marketing guru, Jay Abraham. I bought packages of
materials from Bill Myers. I sat at the feet of Marty
Chenard. I learned copywriting from Brian Keith Voiles.
I spent thousands of hours of experience and thousands of
dollars to learn how to sell myself. Many of my promotions
bombed. But enough succeeded that I made money. Marketing
expert, Jay Abraham, explained that if he had only one
thing he could do for marketing, he would use endorsements.
And that technique is exactly what I used to kick my
performing career into high gear.
Let me explain just what I did.
Having just moved into a new part of the country with few
contacts, I knew that I had to do something innovative to
make a splash and get shows.
I got a list of local schools and created a letter that
gave a special one - time offer. I explained that I was new
in the area and that I was looking for new clients. I
further explained that during that month I was offering a
program at an unbelievably low price so that everyone
possible could have a chance to see my program.
I sent out 112 letters and booked 16 shows!
It gets better.
As a result of these shows I had three directors of schools
write me letters of recommendations. But these letters were
not simple testimonials. These were letters that were
written on their letterhead and sent in school envelopes to
every other school in the area!
What this letter did was effectively ENDORSE me to every
one of the director's colleagues and give me a higher level
of credibility. Usually a performer just sends a letter
with a copy of a "Fan" letter. Can you see how this works?
This technique worked so well, that I filled a summer
season of workshops from the three letters I sent to three
different associations of schools. Let's say that you have
just done a killer program for a group of dentists. They
love you. You walk on water. Everyone is asking for your
business card. You go to the person who booked you.
You ask if you could have a favor. Would the organization
be willing to write you a letter? After they say yes, you
ask if you could have the letter written to all the other
dental organizations. You'll take care of everything.
You'll handle postage, printing, mailing. Is it ok to print
it on their letterhead you ask? In the vast number of
cases, they will say yes, no problem.
When you have a good act and people appreciate you, it is
no problem for them to endorse you. And it is very
powerful. More powerful than anything you could do.
One More Important Secret
As
entertainers, we have taken years to perfect our art, acts,
voices, etc. Yet if we do not see ourselves as marketers,
then we cannot get all the business we deserve.
Let's face it. We all sell our ideas, thoughts, insights,
everywhere we go. We see a good film and convince our
friends to see it. We buy a new car and we tell everyone
what a great deal we got. We have a new sound system we use
in our act and we tell everyone.
We always tell people to buy what we are already sold on.
Are you sold on your own act? Do you need a new one?
I am revealing in an easy-to-learn, week-by-week course,
all my routines, all my tricks, all my shows, plus
marketing tips, ideas, and techniques that will help you
keep booked month after month.
Frankly, I am retiring from performing this year and want
to teach a few folks EVERYTHING I've learned in my long
career, from magic to mental entertainment to entertaining
family audiences.
I also want to let a few people learn some of the
hard-fought lessons I had to learn without spending
thousands of hours and thousands of dollars to do it.
For many years there have been performers who have done a
show or two and THEN sold products claiming to have all the
secrets to the golden vault. When it came time to see their
performances, let's say they weren't close to good.
But let's be honest. Even performers that aren't that good
can sell a whale of a lot of product if they promise to
make your dreams come true.
Plus , many of these packages cost HUNDREDS of dollars to
obtain.
Can you make a boatload of money performing? Maybe, maybe
not.
What I am offering the performing community are shows that
have made ME money.
But much more than that !
I am offering you my life's
work.
And I am doing it over the course of a six month's weekly
course of study.
Never has a performer revealed as much as I am in this
Hometown Showbiz E Course.
This is not a marketing course, but
a course on doing performing
well.
I will include my marketing pieces along with letters,
posters, postcards, and other items.
Here
is what is included in the first few lessons:
1 Professor's Magic Show, Part One
2 Professor's Magic Show, Part Two
3 Easy Ways to Get Gigs
4 Publicity Made Simple
5 Birthday Party Magic
6 Using Birthdays to Make More Cash
7 Specialty Act Or Entertainer?
8 Shot At in a Nightclub (Avoiding Disasters)
9 Halloween Safety Show and Other Special Events
10 Behind Closed Doors With the Masters
11 Getting Started in Mentalism
12 Practical Mentalism Show
In these lessons I reveal EVERYTHING I have learned.
Even if someone has already bought a bunch of my stuff,
they can still learn a few things. Especially the
step-by-step approach I use to explain what I have done.
These lessons make it EASY for ANYONE to learn the
performing business, not only the magic business.
When I started, I was fortunate to have people like JB
Bobo, Ben Stone, Ron Urban, Joe Stevens, Frank Everhart,
Jay Marshall, and many others help me.
I reveal many of the closed-door sessions I had with these
individuals.
I teach you where I succeeded. Where I failed.
My LIFE is revealed in ALL my materials.
My SOUL is expressed in my discussions.
I am giving you MYSELF.
Again, why?
This is my legacy. I want to get my materials out to let
people know there is a BETTER way to be a successful
performer. I am looking to mentor a few folks. I want to
see if other performers want to succeed as bad as I wanted
to when I was younger.
Is there fire in anyone's belly?
I have also made it so inexpensive, that a college student
living in a dorm eating Ramen© noodles could afford to
learn from me.
AM I NUTS? Have I lost my mind?
Many might think so because these acts of mine have sold
for hundreds of dollars in the past.
Why am I almost GIVING them away?
As I said before, this course will be my legacy.
It is important to get it into as many hands as possible.
Also, I am getting pretty tired of folks having to spend a
lot of money trying to learn how to improve themselves.
Can you imagine paying $300 learning how to present a
school show? That's what folks are paying!
If you are willing to trade in the cost of a fancy cup of
coffee a week, FOR A FULL MONTH of lessons, then you are in
the right place.
Here are comments from SUBSCRIBERS to the E Course:
Mr.
Grubb,
I
wanted thank you the wonderful course
Six Months to
Mastery. After receiving the
first two lessons I
feel like I just got the deal of the century! This is far
more than the standard “common
sense” marketing program that is peddled
by the many “marketing
gurus” that seem to be popping
up everywhere
these days. With
your reputation as one who under-promises and over-delivers
along with your association with the legendary Frank
Everhart, I expected a quality product but, my
word, this
is FAR better than I expected. You not only provide
the entire act
in full detail, but
include all of the
subtleties and nuances that
have gone into the creation of this well thought out
act. With the information in the first lesson, I have
some great tips on booking shows immediately. Thank you so
much!
Scott Compton
Dandridge, TN
37725
Dear Professor,
I feel like I've just hired a Magician's personal
trainer. This course is the best investment in taking
my magical interests to the next level. Being a
pediatric Nurse by profession, It will be such a
pleasure to be able to develop a working magic kids show to
bring some happiness, as well as healing to the families I
serve. Thank you Millard for sharing your experiences in
this class, and helping us become better, practical and
professional magicians.
Robert
Divers,RN
I
read through lesson 1 of Millard's course as soon as it
arrived, allowed it to settle, and then have just
read through it again today.
The initial 13 pages was well received and my first
reactions were ones of a nicely presented, gently driven,
learning curve which seemed (to me at elast) to start at a
sensible and logical platform, and ended up at the perfect
stopping off point.
With the bonuses and extra links included in it, this 13
page initial lesson became a 30 page, much fuller lesson,
(always good to find hidden depths in something you think
you are prepared for) All in all, a very well
presented and comprehensively planned start to what
promises to be a very enjoyable course!
I not only like Millard's manner of presentation - simple
and straighforward, I also like the narrative feel to the
lessons. Nothing too highbrow and nothing that is in
any way condescending - something which can it seems be a
difficult platform at times in the
teaching/instructional mode.
I should also mention that there were a couple of occasions
where I chuckled out loud reading the script, and a couple
of occasions where in mid read, I drifted off to thoughts
of what I might bring to the suggestion made, or make of
the suggestion given!
Hats off to the first lesson - and looking forward to the
second!
Maria
Millard, just
another quick note to let you know that (a) I received
Lesson 3, (b) I am, once again, very impressed.
Once again, you have overdelivered. And once again,
you have whetted my appetite for more material -- i.e.,
your referral book looks like it will be a "must
have." If anything, having it arrive on a
periodic basis is goading me to Do Something, Not Just Sit
Here. And if the course did ONLY that, it would be
invaluable. I think that may really be its best value
-- that it's like a personal contact from you, encouraging
us and all but putting the phone in our hands.
Between now and June, you're going to see my career as a
wizard really take off. Can't help it, with the
encouragement you've been providing.
Again, some great work here. I think this course may
be your real calling in performing. And that is high
praise, because I believe that - other than parenting -
teaching is the greatest calling one could have. And
to be able to do it as well as you are ...
Chet Cox,
Columnist/Author
Hello,
Millard:
Your
lessons are very informative. It really is well worth the
money. Thank you for being so generous.
I appreciate your
help!
Joe
Libby
San
Antonio, TX
Why
do I say all this? Do I need a pat on the back?
No.
I just want you to understand that the materials I produce
are based on REAL WORLD experience.
This educational course is not just about getting on the
stage ....
it's about performing .... and getting
paid.
Listen. There are a lot of performers 'gunning' for me
because I reveal so much for so little.
There
are good courses out there. My materials are different.
I KNOW they work. I've used them. I SHOW you actual
examples of what I've done. I TELL you what worked. What
didn't.
I want you to LEARN from the mistakes I've made as well as
the victories. I want you to succeed at your own performing
business.
You don't have to be a magician, mentalist, or family
entertainer. You can learn so many bits-of-business or tips
from one of my shows to put more pizzazz in your program.
You can use a technique to get more DJ gigs. You can use my
stuff to improve what you are already doing.
You will kick yourself if you do not get
this.
What's the investment?
$20 a month.
The price of a fancy cup of coffee a week.
That's right, a twenty dollar bill, every thirty days for
six months. Only twenty bucks.
When you order, you'll have an initial charge of $20, and
then, every thirty days for the next five months you will
be charged $20 for the rest of the lessons, sent via email
to a download link; week-by-week.
Your first email will arrive within minutes of your order
with download instructions for the first lesson.
You can quit at any time, so you have no long-term
commitments.
Because I am working closely with all participants, I will
only allow
200 people
worldwide to take part in this life-changing course.
Click the
Click Here
button to get started today.
Warmly,
Millard Grubb
"At Home On The Stage"
Copyright 2008 Millard Grubb and Backyard Gazette
All Rights Reserved